The Green King, Step-By-Step
Let’s take a look at one of the classic Spey flies from A.E. Knox’s seminal work Autumns On The Spey (1872). Here are the materials we’re going to need:
Hook: Daiichi 2051 #3 (Alec Jackson Spey Hook)
“Body olive, composed of a mixture of red, green, and purple fine Berlin wool. Alternate bars of gold and silver tinsel. Red cock hackle. Shoulder hackle, teal feather. Wing, mallard.”
I shredded Berlin wools of green, purple, and red to create the olive body color. The purple blended with the green has a profound effect, turning the blend to olive.
The “red” schlappen hackle is attached (brown by today’s nomenclature), silver tinsel on the near side, and gold tinsel on the far side. This will ensure a staggered appearance of the materials so that the tinsels will be spaced apart and the hackle will fall in between. We are now ready to dub the body.
The body has been dubbed with our wool blend, the tinsels have been wound forward, and the hackle has been wrapped to fall between the tinsel ribs. Now I apply the teal hackle for the throat and then the wing .
Two slips of bronze mallard have been applied. On this fly, I applied the slips one at a time. First, the far side, then the near side using the far side as a brace. This is the top view of the completed wing.
Here is the completed fly. A classic pattern by any standards. A subtle, somber little Spey fly, circa 19th century.